Demo Reel
Senior Producer · AI Workflow Architect · Camera Specialist
VICTORCHRISTIAN
Twenty-one years producing broadcast television for FOX, CBS, NBC, and Netflix. Now I build the generative AI pipelines that ship broadcast-grade films in days, not months. Seedance, Kling, Higgsfield, Blender, and a lot of taste.
Scroll to workSpec Commercials
Concept spots I created, wrote, directed, edited and finished on my own initiative. Not commissioned by, affiliated with or endorsed by the brands shown.
Chupa Chups
Dulce surrealismo
«Forever Fun.»
Born in Barcelona in 1958, with a logo drawn by Dalí. One lollipop turns a gridlocked Barcelona into candy.
- Runtime
- 1:02
- Turnaround
- 2 days
- Market
- Spain
- Status
- Spec
- Made with
- GPT Image, Seedance 2.5, ElevenLabs, Suno, Premiere Pro
Process
How a spot actually gets made, and where it breaks. Every frame here comes from the real project files.
Production Breakdown · Bizum spec
Inside ¿Quién paga el pato?
«Raw take. The fix. The final.»
A 70-second walk through the pipeline: locked references, a floor plan with the 180 line, and the two problems that nearly broke the spot, each shown raw, fixed and final.
- Runtime
- 1:10
- Turnaround
- 1 day
- Format
- 16:9 / 24 FPS
- Status
- Breakdown
- Covers
- Pre-production, consistency, 2 fixes
- Pipeline
- GPT Image, Seedance 2.5, MiniMax H3, ElevenLabs, Python, HyperFrames, Premiere Pro
Motion Design
Self-initiated motion work, directed by me from the first frame to the final sound mix.
Motion Design · Self-initiated
Idea to Motion.
«One continuous take, from a single point of light to the final cut.»
A 16-second motion study with no hard cuts. A point of light becomes a line, a script built from 3D slabs, flat Bauhaus shapes that inflate into real 3D, a live fluid simulation and a particle storm, then the whole film rewinds to where it began.
- Runtime
- 0:16
- Turnaround
- 1 day
- Format
- 16:9 / 30 FPS
- Status
- Self-initiated
- Craft
- 3D, Fluid simulation, Transitions, Kinetic type, Sound design
Selected Work
Case study: one master, every deliverable →AI Recruitment Film
Profile Software Services
AI Product Ad
Artesavi
Micro Drama
Save Me
About
I produce broadcast television, and I build the AI pipelines that make it faster. Twenty-one years on set as an IATSE Local 600 camera specialist, from the Super Bowl Halftime show to The Amazing Race to So You Think You Can Dance, engineering the technical backbone for Emmy-nominated cinematography teams. Now I direct that same discipline through generative AI, delivering finished, broadcast-grade films in days instead of months, without it looking like everyone else's AI.

Selected broadcast credits
Twenty-one years on network television, before a single AI frame.
Technical department lead and camera specialist on global productions, building the pipelines and infrastructure that Emmy-nominated teams shoot on. That same discipline now drives the AI work above.
Capabilities